The Music Got Me (Vocal) - Visual - The Music Got Me (Vinyl)


Download The Music Got Me (Vocal) - Visual - The Music Got Me (Vinyl)
1983


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8 thoughts on “ The Music Got Me (Vocal) - Visual - The Music Got Me (Vinyl)

  1. Mar 13,  · It was supposed to be The Music's Got Me, not The Music Got Me! (laughs) I went and found the people to become Visual. If you can recall, The Music Got Me was just a track called Stomp originally, then, because of its popularity from radio, I decided to write lyrics and go assemble participants. It was all electronic, except for the percussion/5().
  2. The Music Got Me (Vocal) B: The Music Got Me (Instrumental) * Items below may differ depending on the release. No Vinyl+CDR 29 Listed For Sale: visual the music got me.
  3. Jul 31,  · It debuted on the black singles charts on 3/26/83 at #76 for 6 weeks and was released by Prelude Records, the home of D Train. Actually, the lead singer of "The Music Got Me" sounds exactly like James "D-Train" Williams, let alone Colonel Abrams. Visual was a studio project fronted by Boyd Jarvis and DJ Tim Regisford/5(15).
  4. View credits, reviews, tracks and shop for the Vinyl release of The Music Got Me on Discogs. Label: Prelude Records - PRL D • Format: Vinyl 12 Visual - The Music Got Me (, Vinyl) | Discogs/5.
  5. Buy The Music Got Me at Juno Records. In stock now for same day shipping. The Music Got Me. % Secure Shopping. VISUAL › The Music Got Me. Embed VISUAL. The Music Got Me Side 1; 1. "The Music Got Me" (instrumental) Side 2; 1. "The Music Got Me" (vocal mix) 2. "The Music Got Me" (Master mix) Add to Chart Add to Wishlist e-mail me.
  6. VISUAL Tribute To Jason Smith blenumoutcochinsing.pestcifornotitalradesenmigasimp.co Music's Got Me Remix Project Produced by Boyd Jarvis Boyd Jarvis Publishing BMI Written By Boyd Jarvis and Jason Smith 1. MAIN VOCAL MIX 2. PERCUSSION Mix 3. MAD MAD MIX 4. MAD MIX MAIN VOCAL 5. INSTRUMENTAL/5(6).
  7. Visual “The Music Got Me” The vocal A-side mix went on to be a hit, its upbeat lyrics and punchy groove being well received both on the radio and in record shops. But it’s the B-side, the instrumental dub, that feels extraplanetary and remains the song’s most enduring iteration. This is the version that DJs and dancers alike keep.

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